Photographer Friedlander offers his view of America as seen through its architecture. Shot during the course of countless trips to urban and rural areas across the country, many of them made by car, these pictures capture an America as unblemished by romanticized notions of human nature as it is ful[...]

Lee Friedlander (b. 1934) has been tackling the challenge of self-portraiture throughout his prolific career. What began as an unorthodox investigation of the genre has become a masterful engagement spanning five decades. In this extraordinary compilation, which includes hundreds of previously unpub[...]

Lee Friedlander first visited the birthplace of jazz in 1957 and immediately set about photographing the aging pioneers of the art form. His love of the music and the people of New Orleans drew him back to the city, and the relationships he formed over time gave him intimate access to a scene that f[...]

Lee Friedlander's The Little Screens first appeared as a 1963 photo-essay in Harper's Bazaar, with commentary by Walker Evans. Six untitled photographs show television screens broadcasting eerily glowing images of faces and figures into unoccupied rooms in homes and motels across America. As distinc[...]

Lee Friedlander is celebrated for his ability to weave disparate elements from ordinary life into uncanny images of great formal complexity and visual wit. And few things have attracted his attention--or been more unpredictable in their effect--than the humble chain link fence.
Erected to delinea[...]